Nick Jonas - Jealous letra en español traducción

I don't like the way he's looking at you
I'm starting to think you want him too
Am I crazy, have I lost ya?
Even though I know you love me, can't help it

No me gusta la forma él te mira

Estoy empezando a pensar que tu lo quieres también

¿Estoy loco, caso perdido? 

Incuso cuando se que me amas, no puedo evitarlo

[Chorus:]
I turn my chin music up
And I'm puffing my chest
I'm getting red in the face
You can call me obsessed
It's not your fault that they hover
I mean no disrespect
It's my right to be hellish
I still get jealous

Al ritmo de la música mi barbilla se levanta

Y se me hincha al pecho 

La cara se vuelve roja 

Puede llamarme obsesivo 

No es tu culpa que ellos te estén rondando

Lo dijo sin faltarte el respeto 

Es mi derecho a ser horrible

Aun soy celoso 

'Cause you're too sexy, beautiful
And everybody wants to taste
That's why (that's why)
I still get jealous

Porque eres muy sexy, hermosa 

Y todos quieren probarte 

Es por eso que (por eso qué)

Aún estoy celoso

'Cause you're too sexy, beautiful
And everybody wants to taste
That's why (that's why)
I still get jealous

Porque eres muy sexy, hermosa 

Y todos quieren probarte 

Es por eso que (por eso qué)

Aún estoy celoso 

I wish you didn't have to post it out
I wish you'd save a little bit just for me
Protective or possessive, yeah
Call it passive or aggressive

Desearía no lo hubieras publicado

Deseo tenerte solo para mi

Protegerte o Poseerte, Yeah 

Llámalo pasivo o agresivo

[Chorus:]
I turn my chin music up
And I'm puffing my chest
I'm getting red in the face
You can call me obsessed
It's not your fault that they hover
I mean no disrespect
It's my right to be hellish
I still get jealous

Al ritmo de la música mi barbilla se levanta

Y se me hincha al pecho 

La cara se vuelve roja 

Puede llamarme obsesivo 

No es tu culpa que ellos te estén rondando

Lo dijo sin faltarte el respeto 

Es mi derecho a ser horrible

Aun soy celoso 

'Cause you're too sexy, beautiful
And everybody wants to taste
That's why (that's why)
I still get jealous

Porque eres muy sexy, hermosa 

Y todos quieren probarte 

Es por eso que (Es por eso qué)

Aún estoy celoso 

'Cause you're too sexy, beautiful
And everybody wants to taste
That's why (that's why)
I still get jealous

Porque eres muy sexy, hermosa 

Y todos quieren probarte 

Es por eso que (Es por eso qué)

Aún estoy celoso 

You're the only one invited
I said there's no one else for you
'Cause you know I get excited, yeah
When you get jealous too

Eres la única invitada

Dije que no hay nadie como tú 

Porque sabes que me gustas, Yeah 

Cuando tu te pones celosa también

[Chorus:]
I turn my chin music up
And I'm puffing my chest
I'm turning red in the face
You can call me obsessed
It's not your fault that they hover
I mean no disrespect
It's my right to be hellish
I still get jealous

Al ritmo de la música mi barbilla se levanta

Y se me hincha al pecho 

La cara se vuelve roja 

Puede llamarme obsesivo 

No es tu culpa que ellos te estén rondando

Lo dijo sin faltarte el respeto 

Es mi derecho a ser horrible

Aun soy celoso 

'Cause you're too sexy, beautiful
And everybody wants to taste
That's why (that's why)
I still get jealous

Porque eres muy sexy, hermosa 

Y todos quieren probarte 

Es por eso que (Es por eso qué)

Aún estoy celoso 

'Cause you're too sexy, beautiful
And everybody wants to taste
That's why (that's why)
I still get jealous

Porque eres muy sexy, hermosa 

Y todos quieren probarte 

Es por eso que (Es por eso que)

Aún estoy celoso 

Oh (that's why)
I still get jealous
Oh (that's why)
I still get jealous

Oh (Es por eso que)

Aun estoy celoso

Oh (Es por eso que)

Aun estoy celoso

The Chainsmokers - Roses letra en español

The Chainsmokers - Roses (Feat Rozes) 

Rosas 

Take it slow, but it's not typical
He already knows that my love is fire
His heart was a stone, but then his hands roam
I turned him to gold and it took him higher

Tómalo con calma, pero no es algo normal

Él ya sabe que mi amor es fuego

Su corazón fue una piedra, pero luego sus manos vagaban

Lo convertí en oro y lo llevo más alto

Oh, I'll be your daydream, I'll wear your favorite things
We could be beautiful
Get drunk on the good life, I'll take you to paradise
Say you'll never let me go

Oh, Seré tu fantasía, Usaré tu ropa favorita

Podríamos ser hermosos

Embriagarse de la buena vida, te llevaré al paraiso

Di que nunca me dejaras ir

Deep in my bones, I can feel you
Take me back to a time only we and you
Hideaway
We could waste the night with an old film
Smoke a little weed on the couch in the back room
Hideaway
Say you'll never let me go
Say you'll never let me go

Dentro de mis huesos, te puedo sentir

Llévame de vuelta cuando solo estábamos tu y yo

Escondidos

Podríamos pasar la noche mirando una películas antigua 

Fumando hierba en el sillón del cuarto de atrás 

Escondidos

Di que nunca me dejaras ir

Di que nunca me dejaras ir

Ahh, ahh, ahh
Ahh, ahh, ahh
Ahh, ahh, ahh
Say you'll never let me go
Say you'll never let me go
Say you'll never let me go
Say you'll never let me go

Ahh, ahh, ahh
Ahh, ahh, ahh
Ahh, ahh, ahh

Di que nunca me dejaras ir

Di que nunca me dejaras ir

Di que nunca me dejaras ir

Deep in my bones, I can feel you

Take me back to a time only we knew
Hideaway
We could waste the night with an old film
Smoke a little weed on the couch in the back room
Hideaway
Say you'll never let me go
Say you'll never let me go

Dentro de mis huesos, te puedo sentir

Llévame de vuelta cuando solo estábamos tu y yo

Escondidos

Podríamos pasar la noche mirando una películas antigua 

Fumando hierba en el sillón del cuarto de atrás 

Escondidos

Di que nunca me dejaras ir

Di que nunca me dejaras ir

Ahh, ahh, ahh
Ahh, ahh, ahh
Ahh, ahh, ahh
Say you'll never let me go
Say you'll never let me go
Say you'll never let me go

Ahh, ahh, ahh
Ahh, ahh, ahh
Ahh, ahh, ahh

Di que nunca me dejaras ir

Di que nunca me dejaras ir

Di que nunca me dejaras ir

Musical Ages: How Our Taste in Music Changes Over a Lifetime

Oct. 15, 2013 — The explosion in music consumption over the last century has made 'what you listen to' an important personality construct -- as well as the root of many social and cultural tribes -- and, for many people, their self-perception is closely associated with musical preference. We would perhaps be reluctant to admit that our taste in music alters -- softens even -- as we get older.

---

Now, a new study suggests that -- while our engagement with it may decline -- music stays important to us as we get older, but the music we like adapts to the particular 'life challenges' we face at different stages of our lives.

It would seem that, unless you die before you get old, your taste in music will probably change to meet social and psychological needs.

One theory put forward by researchers, based on the study, is that we come to music to experiment with identity and define ourselves, and then use it as a social vehicle to establish our group and find a mate, and later as a more solitary expression of our intellect, status and greater emotional understanding.

Researchers say the study is the first to "comprehensively document" the ways people engage with music "from adolescence to middle age." The study is published in the Journal of Personality and Social Psychology.

Using data gathered from more than a quarter of a million people over a ten year period, researchers divided musical genres into five broad, "empirically derived" categories they call the MUSIC model -- mellow, unpretentious, sophisticated, intense, contemporary -- and plotted the patterns of preference across age-groups.

These five categories incorporate multiple genres that share common musical and psychological traits -- such as loudness and complexity.

"The project started with a common conception that musical taste does not evolve after young adulthood. Most academic research to date supported this claim, but -- based on other areas of psychological research and our own experiences -- we were not convinced this was the case," said Arielle Bonneville-Roussy from Cambridge's Department of Psychology, who led the study.

The study found that, unsurprisingly, the first great musical age is adolescence -- defined by a short, sharp burst of 'intense' and the start of a steady climb of 'contemporary'. 'Intense' music -- such as punk and metal -- peaks in adolescence and declines in early adulthood, while 'contemporary' music -- such as pop and rap -- begins a rise that plateaus until early middle age.

"Teenage years are often dominated by the need to establish identity, and music is a cheap, effective way to do this," said Dr Jason Rentfrow, senior researcher on the study.

"Adolescents' quest for independence often takes the shape of a juxtaposed stance to the perceived 'status quo', that of parents and the establishment. 'Intense' music, seen as aggressive, tense and characterised by loud, distorted sounds has the rebellious connotations that allow adolescents to stake a claim for the autonomy that is one of this period's key 'life challenges'."

As 'intense' gives way to the rising tide of 'contemporary' and introduction of 'mellow' -- such as electronic and R & B -- in early adulthood, the next musical age emerges. These two "preference dimensions" are considered "romantic, emotionally positive and danceable," write the researchers.

"Once people overcome the need for autonomy, the next 'life challenge' concerns finding love and being loved -- people who appreciate this 'you' that has emerged," said Rentfrow.

"What we took away from the results is that these forms of music reinforce the desire for intimacy and complement settings where people come together with the goal of establishing close relationships -- parties, bars, clubs and so on.

"Whereas the first musical age is about asserting independence, the next appears to be more about gaining acceptance from others."

As we settle down and middle age begins to creep in, the last musical age, as identified by the researchers, is dominated by 'sophisticated' -- such as jazz and classical -- and 'unpretentious' -- such as country, folk and blues.

Researchers write that both these dimensions are seen as "positive and relaxing" -- with 'sophisticated' indicating the complex aesthetic of high culture that could be linked to social status and perceived intellect, while 'unpretentious' echoes sentiments of family, love and loss -- emotionally direct music that speaks to the experiences most will have had by this life stage.

"As we settle into ourselves and acquire more resources to express ourselves -- career, home, family, car -- music remains an extension of this, and at this stage there are aspects of wanting to promote social status, intellect and wealth that play into the increased gravitation towards 'sophisticated' music," said Rentfrow, "as social standing is seen as a key 'life challenge' to be achieved by this point."

"At the same time, for many this life stage is frequently exhausted by work and family, and there is a requirement for relaxing, emotive music for those rare down times that reflects the other major 'life challenge' of this stage -- that of nurturing a family and maintaining long-term relationships, perhaps the hardest of all."

Adds Bonneville-Roussy: "Due to our very large sample size, gathered from online forms and social media channels, we were able to find very robust age trends in musical taste. I find it fascinating to see how seemingly trivial behaviour such as music listening relates to so many psychological aspects, such as personality and age."

Link: http://www.sciencedaily.com/releases/2013/10/131015123654.htm