Ellie Goulding - Lights Letra en Español

I had a way then losing it all on my own

I had a heart then but the queen has been overthrown
And I'm not sleeping now, the dark is too hard to beat
And I'm not keeping now the strength I need to push me

Tengo mi camino 

Tengo un corazón la reina lo ha derrotado

y ahora no estoy durmiendo, la oscuridad es demasiada para 

Y ahora no tengo la fuerza que necesito para sostenerem

You show the lights that stop me turn to stone
You shine it when I'm alone
And so I tell myself that I'll be strong
And dreaming when they're gone

Tú me mostraste las luces que detuvieron que me convirtiera en pidra

Tu brillas cuando estoy sola

Y me dijo que seré fuerte

Y sueño cuando no están

'Cause they're calling, calling, calling me home
Calling, calling, calling home
You show the lights that stop me turn to stone
You shine it when I'm alone home

Porque me llamando, llamando, llamandp a casa

Llamando, llamando, llamando ir a casa

Tu me mostrase las luces que me detuvieron convertirme en piedas

Tu brillas cuando solo solo en casa

Voices I play within my head
Touch my own skin and hope that I'm still breathing
And I think back to when my brother and my sister slept
In an unknown place the only time I feel safe

Las voces que están dentro de mi cabeza

Tocan mi piel y esperanza que aun respiro 

Y pienso otra vez cuando mi hermano y mi hermana duermen

En un lugar desconocido en donde me siento bien

You show the lights that stop me turn to stone
You shine it when I'm alone
And so I tell myself that I'll be strong
And dreaming when they're gone

Tú me mostraste las luces que detuvieron que me convirtiera en piedra

Tu brillas cuando estoy sola

Y me dijo que seré fuerte

Y sueño cuando no están 

'Cause they're calling, calling, calling me home
Calling, calling, calling home
You show the lights that stop me turn to stone
You shine it when I'm alone home

Porque me llamando , llamando, llamando a casa

Llamando , llamando , llamando a casa

Tu me mostrase las luces que me detuvieron convertirme en piedas

Tu brillas cuando solo solo en casa

Yeah, hee

Light, lights, lights, lights
Light, lights, lights, lights
(Home, home)
Light, lights, lights, lights
Light, lights

Luces, Luces, Luces, Luces

Luces, Luces, Luces, Luces

(Casa, Casa)

Luces, Luces, Luces, Luces

Luces, Luces

You show the lights that stop me turn to stone
You shine it when I'm alone
And so I tell myself that I'll be strong
And dreaming when they're gone

Tú me mostraste las luces que detuvieron que me convirtiera en pidra

Tu brillas cuando estoy sola

Y me dijo que seré fuerte

Y sueño cuando no están 

'Cause they're calling, calling, calling me home
Calling, calling, calling home
You show the lights that stop me turn to stone
You shine it when I'm alone home

Porque me llamando, llamando, llamando ha casa

Llamando, llamando, llamando a casa

Tu me mostrase las luces que me detuvieron convertirme en piedas

Tu brillas cuando solo solo en casa

Home, home
Light, lights, lights, lights
Light, lights, lights, lights

Casa, Casa

Luces, Luces, Luces, Luces

Luces, Luces, Luces, Luces

Home, home
Light, lights, lights, lights
Light, lights, lights, lights

Casa, Casa

Luces, Luces, Luces, Luces

Luces, Luces, Luces, Luces

Home, home
Light, lights, lights, lights
Light, lights, lights, lights

Casa, Casa

Luces, Luces, Luces, Luces

Luces, Luces, Luces, Luces

Home, home
Light, lights, lights, lights
Light, lights, lights, lights

Casa, Casa

Luces, Luces, Luces, Luces

Luces, Luces, Luces, Luces

Ellie Goulding Traducción Letra en Español

Pedido por: Francisco Año 2012 

Calvin Harris - "How Deep Is Your Love" (with Disciples) En Español

"How Deep is your Love"

I want you to breathe me
Let me be your air
Let me roam your body freely
No inhibition, no fear

Quiero me respires

Déjame ser tu aire

Déjame recorrer tu cuerpo libremente

Sin inhibicion ni miedo

How deep is your love?
Is it like the ocean?
What devotion are you?
How deep is your love?
Is it like nirvana?
Hit me harder, again
How deep is your love?
How deep is your love?
How deep is your love?
Is it like the ocean?
Pull me closer, again
How deep is your love?

Cuan profundo es tu amor?

Es como el océano?

Cuan entregado eres tú?

Cuan profundo es tu amor?

Es como el nirvana?

Sorprendeme más, de nuevo

Cuan profundo es tu amor?

Cuan profundo es tu amor?

Cuan profundo es tu amor?

Es como el océano?

Jalame más cerca, de nuevo

Cuan profundo es tu amor?

How deep is your love?

Cuan profundo es tu amor?

Open up my eyes and
Tell me who I am
Let me in on all your secrets
No inhibition, no sin

Abre tus ojos y

dime quien yo soy

Déjame entrar en tus secretos secretos

Sin inhibición, ni pecado

How deep is your love?
Is it like the ocean?
What devotion? Are you?
How deep is your love?
Is it like nirvana?
Hit me harder, again
How deep is your love?
How deep is your love?
How deep is your love?
Is it like the ocean?
Pull me closer, again
How deep is your love?

Cuan profundo es tu amor?

Es como el océano?

Cuan entregado eres tú?

Cuan profundo es tu amor?

Es como el nirvana?

Sorprendeme más, de nuevo

Cuan profundo es tu amor?

Cuan profundo es tu amor?

Cuan profundo es tu amor?

Es como el océano?

Jalame más cerca, de nuevo

Cuan profundo es tu amor?

How deep is your love?
How deep is your love?

Cuan profundo es tu amor?

Cuan profundo es tu amor?

So tell me how deep is your love, can we go deeper?
So tell me how deep is your love, can we go deep?
So tell me how deep is your love, can we go deeper?
So tell me how deep is your love, can we go deep?
(How deep is your love?)
So tell me how deep is your love, can we go deeper?
So tell me how deep is your love, can we go deep?
(How deep is your love?)
So tell me how deep is your love, can we go deeper?
(Pull me closer, again)
So tell me how deep is your love
How deep is your love?

How deep is your love?
How deep is your love?

Cuan profundo es tu amor?

Cuan profundo es tu amor?

So tell me how deep is your love, can we go deeper?
So tell me how deep is your love, can we go deep?
(How deep is your love?)
So tell me how deep is your love, can we go deeper?
So tell me how deep is your love, can we go deep?

Entonces dime cuan profundo es tu amor ¿podemos ir más profundo?

Entonces dime cuan profundo es tu amor ¿podemos ir profundo?
(Cuan profundo es tu amor?)
Entonces dime cuan profundo es tu amor ¿podemos ir más profundo?

Entonces dime cuan profundo es tu amor ¿podemos ir profundo?

(C) 2015 Sony Music Entertainment UK Limited

Si quieres alguna traducción pídela en los comentarios Saludos :)

Canción Pedida: Por sobrina Michelle, 

Lounge (Playlist)

Hoy comparto contigo algunas canciones del género "Lounge" 

Part I 

1 Pink Martini - Sympathique 
2 St. German - Sure Thing 
3 Groove Armada - At the River 
4 Thievery Corporation - Lebanese Blonde 
5 Gotan Project - Triptico 
6 Parov Stelar - KissKiss 
7 Jazzamor - Summertime 
8 Zero 7 - Destiny 
9 Koop - Koop Island Blues 
10 Vengaboys - Paradise ... 

Los 10 Mejores Albumes para salir a correr

10 Vengaboys - The Party Album! (1999)

9 The Crystal Method - Legion of Boom (2004)

8 Moby - Moby (1992)

7 Faithless - Forever Faithless - The Greatest Hits

6 Safri Duo - Episode II (2001)

5 Fatboy Slim - The Greatest Hits : Why Try So Harder

4 Chemical Brothes - Singles 1993-2003 (2003)

3 OST-  Run, Lola, Run (Lola Rent) (1998)

2 Daft Punk - Alive (2007)

1 ATB - Seven Years (2005)

Music To Relax - Playlist II

61. Amazonics - I Wanna Be Your Boyfriend (2:46)
62. Groove Da Praia - Hung Up (3:36)
63. Antonio Vivaldi - Spring (10:30)
64. Edvard Grieg - Morning (3:35)
65. Richard Wagner - Ride of the Valkyries (5:26)
66. Sir Edward Elgar - Pomp and Circumstance March No. 1 (6:11)
67. BNB - Fernando (5:02)
68. Keith Jarrett - The Journey Home (10:31)
69. Miles Davis - Saeta (5:04)
70. Kenny G - Songbird (4:00)
71. Jim Brickman - Catching Twilight (3:32)
72. Kitaro - Wings (5:19)
73. Yanni - Acroyali / Standing In Motion [Medley] (8:51)
74. Morcheeba - Be Yourself (3:15)
75. Shakira - Te Necesito (4:00)

76. Laura Story - Your Name Will Be Praised (3:40)
77. She & Him - Over It Over Again (3:29)
78. Sweet Little Band - antología (3:57)
79. Sweet Little Band - la isla bonita (2:58)
80. Sweet Little Band - Thank You For The Music (2:54)
81. Sweet Little Band - God Put A Smile Upon Your Face (2:49)
82. Julieta Venegas - Ilusion (Con Marisa Montes) (3:48)
83. Rodrigo Y Gabriela - Foc (5:39)
84. Sierra Hull - Bombshell (3:22)
85. Gotan Project - Triptico (8:25)
86. vengaboys - to the rhythm (6:13)
87. Moby - Porcelain (3:58)
88. Air - Playground Love (3:31)
89. Deva Premal - Shyam! (Prabhu Mix) (6:35)
90. Jim Brickman - 'Til I See You Again (3:26)
 
91. Jingo - Lucky Star (2:53)
92. Groove Da Praia - I Wanna Be Sedated (3:56)
93. Parov Stelar - Spygame (6:11)
94. Return To Forever - The Romantic Warrior (10:52)
95. John Coltrane - I'm Old Fashioned (7:57)
96. Miles Davis - Sanctuary (11:00)
97. JAZZAMOR - Space Cowboy (3:00)
98. Pink Martini - Donde Estas, Yolanda? (3:25)
99. Cirque Du Soleil - Water Bowl (Awakening) (5:23)
100. Afro Celt Sound System - My Secret Bliss (7:04)
101. Enigma - Mea Culpa (5:03)
102. Brian Eno - Becalmed (3:56)
103. Philip Glass - Choosing Life (4:01)
104. Dario Marianelli - Your Hands Are Cold (5:25)
105. Joss Stone - Don't Cha Wanna Ride (3:31)
 
106. Diana Krall - The Boy From Ipanema (4:54)
107. Eliane Elias - Falsa Baiana (4:01)
108. João Gilberto - Da cor do pecado (2:31)
109. Pink Martini - Brazil (5:20)
110. Morcheeba - Sao Paulo (4:28)
111. Pat Metheny Group - Dream of the Return (5:26)
112. Dan Gibson - Brazil (7:26)
113. Moby - I'm not Worried At All (4:11)
114. John Powell - To The Roof (5:34)
115. Brian Eno - Spirits Drifting (2:51)
116. John Williams - Theme From Schindler's List (4:15)
117. Era - Don't Go Away (4:24)
118. The Benedictine Monks Of Santo Domingo De Silos - Kyrie Fons Bonitatis - Trope (Modo III) (4:00)
119. Sade - King Of Sorrow (4:54)
120. Frank Sinatra - Nothing But the Best (3:00)
 
121. Nina Simone - Beautiful Land (1:57)
122. Steven Halpern - 1st Chakra: Keynote C - Chakra Suite (2:58)
123. Steven Halpern - 2nd Chakra: Keynote D - Chakra Suite (3:14)
124. Steven Halpern - 3rd Chakra: Keynote E - Chakra Suite (2:58)
125. Steven Halpern - 4th Chakra: Keynote F - Chakra Suite (3:13)
126. Steven Halpern - 5th Chakra: Keynote G - Chakra Suite (3:07)
127. Steven Halpern - 6th Chakra: Keynote A - Chakra Suite (3:43)
128. Steven Halpern - 7th Chakra: Keynote B - Chakra Suite (4:43)
129. Adama Dramé - abounaye (8:44)
130. Bond - Oceanic (6:44)
131. The Royal Philharmonic Orchestra - I Have A Dream (4:42)
132. Johann Sebastian bach - Brandenburg Concerto No. 3 Allegro (3:23)
133. Snatam Kaur - Feeling Good Today! (4:19)
134. Yanni - Nostalgia (4:35)
135. Dan Gibson - Western Chorus Frog, Marbled Godwit, Canada Goose, Yellow-Headed ... (3:12)
 
136. Madeleine Peyroux - Don't Wait Too Long (3:12)
137. Eliane Elias - Photograph (fotografia) (3:46)
138. Michael Bublé - The Best Is Yet To Come (3:05)
139. Air - All I Need (4:28)
140. Bonobo - Dinosaurs (3:57)
141. Boards of Canada - Zoetrope (5:18)
142. Massive Attack - Risingson (4:58)
143. Pyotr Ilyich Tchaikovsky - Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (19:43)
144. Claude Debussy - Nocturnes: Sirenes (12:41)
145. Johann Sebastian bach - Violin Concerto In A Minor (Allegro) (4:10)
146. Wolfgang Amadeus Mozart - Flute and Harp Concerto: Andantino (8:58)
147. Ludovico Einaudi - Fly (4:39)
148. Yann Tiersen - La Noyee (2:25)
149. Cristina Branco - Anclao En Paris (2:01)
150. Alison Krauss & Union Station - When You Say Nothing At All (4:20)

Music To Sleep / Música que me ayuda a Dormir / Parte II

Segunda entrega de música que me ayuda a relajarme después de un intenso día de trabajo con gente, solo trabajo 4 horas pero es agotador. Si te pudiera dar un consejo es que escuches esta música solo al momento de ir a dormir y si puedes visualizar lo que deseas mejor aún. En el caso de Statam Kaur, escuchar su música mientras duermes te hará sentir distinto cuando despiertes, recordar que ella trabaja con mantras que son muy positivos para nuestra mente y alma.

1 Snatam Kaur - Feeling Good Today! (2009) (New Age - Mantra)

2 Babies Go - Abba (2007) (Ambient - Instrumental)

3 Steven Halpern - Deel Alpha (2012) (New Age - Ambient)

4 Bach - The Very Best of Bach (Classsical - Barroco)

5 Tchaikovsky - The Very Best of Tchaikovsky (Classical - Romaticism)

6 Kings of Convenience - Declaration of Dependence (2009) (Acoustic)

7 Simon & Garfunkel -Greatest Hits (1972) (Folk)

8 José González - Veneer (2005) (Acoustic)

9 Pink Martini - A Retrospective (2011) (Lounge)

10 Benedictine Monk of Santo Domingo de los Silos - Chant (1994) (Gregorian Chant)

Fuente: YO

Minimalism (Allmusic)

 One of the main innovations in the contemporary classical field, Minimalism has also influenced new age composers and electronic producers alike, particularly in progressive electronic styles where sequencers play an important role. Generally, this music is characterized by a strong and relentless pulse, the insistent repetition of short melodic fragments, and harmonies that change over long periods of time. A trio of '60s figures, LaMonte Young, Terry Riley and Steve Reich, did the most to pioneer the field, though Philip Glass had the most success with the style during the 1970s. 

 

Philip Glass

 

Erick Satie 

 

 

Link : http://www.allmusic.com/subgenre/minimalism-ma0000012315

Musical Ages: How Our Taste in Music Changes Over a Lifetime

Oct. 15, 2013 — The explosion in music consumption over the last century has made 'what you listen to' an important personality construct -- as well as the root of many social and cultural tribes -- and, for many people, their self-perception is closely associated with musical preference. We would perhaps be reluctant to admit that our taste in music alters -- softens even -- as we get older.

---

Now, a new study suggests that -- while our engagement with it may decline -- music stays important to us as we get older, but the music we like adapts to the particular 'life challenges' we face at different stages of our lives.

It would seem that, unless you die before you get old, your taste in music will probably change to meet social and psychological needs.

One theory put forward by researchers, based on the study, is that we come to music to experiment with identity and define ourselves, and then use it as a social vehicle to establish our group and find a mate, and later as a more solitary expression of our intellect, status and greater emotional understanding.

Researchers say the study is the first to "comprehensively document" the ways people engage with music "from adolescence to middle age." The study is published in the Journal of Personality and Social Psychology.

Using data gathered from more than a quarter of a million people over a ten year period, researchers divided musical genres into five broad, "empirically derived" categories they call the MUSIC model -- mellow, unpretentious, sophisticated, intense, contemporary -- and plotted the patterns of preference across age-groups.

These five categories incorporate multiple genres that share common musical and psychological traits -- such as loudness and complexity.

"The project started with a common conception that musical taste does not evolve after young adulthood. Most academic research to date supported this claim, but -- based on other areas of psychological research and our own experiences -- we were not convinced this was the case," said Arielle Bonneville-Roussy from Cambridge's Department of Psychology, who led the study.

The study found that, unsurprisingly, the first great musical age is adolescence -- defined by a short, sharp burst of 'intense' and the start of a steady climb of 'contemporary'. 'Intense' music -- such as punk and metal -- peaks in adolescence and declines in early adulthood, while 'contemporary' music -- such as pop and rap -- begins a rise that plateaus until early middle age.

"Teenage years are often dominated by the need to establish identity, and music is a cheap, effective way to do this," said Dr Jason Rentfrow, senior researcher on the study.

"Adolescents' quest for independence often takes the shape of a juxtaposed stance to the perceived 'status quo', that of parents and the establishment. 'Intense' music, seen as aggressive, tense and characterised by loud, distorted sounds has the rebellious connotations that allow adolescents to stake a claim for the autonomy that is one of this period's key 'life challenges'."

As 'intense' gives way to the rising tide of 'contemporary' and introduction of 'mellow' -- such as electronic and R & B -- in early adulthood, the next musical age emerges. These two "preference dimensions" are considered "romantic, emotionally positive and danceable," write the researchers.

"Once people overcome the need for autonomy, the next 'life challenge' concerns finding love and being loved -- people who appreciate this 'you' that has emerged," said Rentfrow.

"What we took away from the results is that these forms of music reinforce the desire for intimacy and complement settings where people come together with the goal of establishing close relationships -- parties, bars, clubs and so on.

"Whereas the first musical age is about asserting independence, the next appears to be more about gaining acceptance from others."

As we settle down and middle age begins to creep in, the last musical age, as identified by the researchers, is dominated by 'sophisticated' -- such as jazz and classical -- and 'unpretentious' -- such as country, folk and blues.

Researchers write that both these dimensions are seen as "positive and relaxing" -- with 'sophisticated' indicating the complex aesthetic of high culture that could be linked to social status and perceived intellect, while 'unpretentious' echoes sentiments of family, love and loss -- emotionally direct music that speaks to the experiences most will have had by this life stage.

"As we settle into ourselves and acquire more resources to express ourselves -- career, home, family, car -- music remains an extension of this, and at this stage there are aspects of wanting to promote social status, intellect and wealth that play into the increased gravitation towards 'sophisticated' music," said Rentfrow, "as social standing is seen as a key 'life challenge' to be achieved by this point."

"At the same time, for many this life stage is frequently exhausted by work and family, and there is a requirement for relaxing, emotive music for those rare down times that reflects the other major 'life challenge' of this stage -- that of nurturing a family and maintaining long-term relationships, perhaps the hardest of all."

Adds Bonneville-Roussy: "Due to our very large sample size, gathered from online forms and social media channels, we were able to find very robust age trends in musical taste. I find it fascinating to see how seemingly trivial behaviour such as music listening relates to so many psychological aspects, such as personality and age."

Link: http://www.sciencedaily.com/releases/2013/10/131015123654.htm

I Need to See Your iPod Before We Can Go Out

What really matters is what you like, not what you are like...Books, records, films — these things matter., - Rob, from the book/movie High Fidelity

There are a number of dating sites founded on the principle that, when it comes to attraction, similarity matters. Whether it’s based in your religion (e.g., jdate.com) or your computer preferences (e.g., cupidtino.com), online dating sites seem tuned in to the fact that sharing similar interests with a partner is a necessary component of a successful match. I recently stumbled upon a site called tastebuds.fm, which states “we've always been interested in the idea that music taste can say a lot about a person and that for some people it is an important factor when choosing a potential partner.” With the Grammy's just around the corner, I figured it was time to think about the importance of music in relationship initiation.

Although I can’t say that tastebuds.fm is more (or less) effective than other methods in helping people find love, their approach is based on an interesting assumption: If music does communicate something about a person, then it’s possible that knowing about a potential partner’s taste in music could be helpful in gauging whether they are a good match for you. Can you learn about someone’s personality from their music preferences?

Research by personality psychologists Peter J. Rentfrow and Sam Gosling has addressed whether musical preferences actually do say anything about people’s personalities. First, their data indicates that music is an important part of people’s lives and individuals believe music says a great deal about themselves and others.¹ Second, it’s one of the first things that young people talk about when getting to know one another.² Rentfrow and Gosling have also identified four general dimensions that describe different music preferences. Which of these genres of music do you like best?

_____ (1) reflective and complex (e.g., jazz)

_____ (2) intense and rebellious (e.g., rock and metal)

_____ (3) upbeat and conventional (e.g., country and pop)

_____ (4) energetic and rhythmic (e.g., rap and electronica/house).

 See below for what these preferences might say about your personality.

When examining these musical preferences in conjunction with personality characteristics (e.g., the Big Five) and other individual difference dimensions, a series of interesting findings emerge.¹ 

1. Reflective/complex: People who like reflective and complex music tend to be more open to experience, have better verbal skills, believe they are intelligent, tend to be politically liberal, and are less athletic.
2. Intense/rebellious: The personality traits associated with preferences for intense and rebellious music were similar to reflective/complex, except that these folks were more athletic and extraverted.
3. Upbeat/conventional: People who like upbeat and conventional music tended to be more extraverted, agreeable, conscientious, less open to new experiences, and were more politically conservative. They also believed they were wealthier, physically attractive, more athletic, less intelligent, and had poorer verbal skills.
4. Energetic/rhythmic: Finally, people who like energetic and rhythmic music tended to be talkative, extraverted, and agreeable. They also report being physically attractive, athletic, and politically liberal.

So, although I haven’t seen any data that indicates tastebuds.fm provides better matches than other online dating services, it wouldn’t surprise me if it is better than pairings without much basis (i.e., that hot guy/gal you met at the bar). Music certainly does say something meaningful about our personalities, and IF similarity on these personality characteristics is important to attraction and relationship development (note that I said “IF” here), then the folks at tastebuds.fm might be on to something.

Source:  http://www.scienceofrelationships.com/home/2012/1/27/i-need-to-see-your-ipod-before-we-can-go-out.html

Lady Gaga - Just Dance

"Just Dance"
(feat. Colby O'Donis)

Red One
Konvict
Gaga

I've had a little bit too much
All of the people start to rush.
Start to rush babe.
A dizzy twister dance
Can't find my drink or man.
Where are my keys, I lost my phone.
What's going on on the floor?
I love this record baby, but I can't see straight anymore.
Keep it cool what's the name of this club?
I can't remember but it's alright, alright.

[Chorus:]
Just dance. Gonna be okay.
Da-doo-doo-doo
Just dance. Spin that record babe.
Da-doo-doo-doo
Just dance. Gonna be okay.
Duh-duh-duh-duh
Dance. Dance. Dance. Just dance.

Wish I could shut my playboy mouth.
How'd I turn my shirt inside out? Inside out babe.
Control your poison babe
Roses with thorns they say.
And we're all gettin' hosed tonight.
What's going on on the floor?
I love this record baby, but I can't see straight anymore.
Keep it cool what's the name of this club?
I can't remember but it's alright, alright.

[Chorus]

[Colby O'Donis]
When I come through on the dance floor checking out that catalogue.
Can't believe my eyes so many women without a flaw.

And I ain't gonna' give it up, steady tryna pick it up like a call
I'm gonna hit it, I'm gonna hit it and flex and do it until tomorrow, yeah
Shorty i can see that you got so much energy
The way you twirling up them hips round and round
There's no reason at all why you can't leave here with me
In the meantime stay, let me watch you break it down.

[Chorus]

Half psychotic, sick hypnotic got my blueprint it's symphonic.
Half psychotic, sick hypnotic got my blueprint electronic.
Half psychotic, sick hypnotic got my blueprint it's symphonic.
Half psychotic, sick hypnotic got my blueprint electronic.

Go. Use your muscle, carve it out, work it, hustle
I got it, just stay close enough to get it
Don't slow! Drive it, clean it lysol, bleed it
Spend the last dough
(I got it)
In your Pocko
(I got it)

[Chorus]