Showing posts with label Romantic. Show all posts
Showing posts with label Romantic. Show all posts

Monday, February 2, 2015

Whitney Houston - I Have Nothing (Lyrics)


"I Have Nothing"
 
Share my life, take me for what I am
'Cause I'll never change all my colours for you
 

Take my love, I'll never ask for too much
Just all that you are and everything that you do

 

I don't really need to look very much further
I don't wanna have to go where you don't follow
I won't hold it back again, this passion inside
Can't run from myself
There's nowhere to hide

 

Don't make me close one more door
I don't wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don't walk away from me...
I have nothing, nothing, nothing
If I don't have you, you, you, you, you.

 

You see through right to the heart of me
You break down my walls with the strength of your love
 

I never knew love like I've known it with you
Will a memory survive, one I can hold on to

 

I don't really need to look very much further
I don't wanna have to go where you don't follow
I won't hold it back again, this passion inside
I can't run from myself
There's nowhere to hide
Your love I'll remember forever

 

Don't make me close one more door
I don't wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don't walk away from me...
I have nothing, nothing, nothing...

 

Don't make me close one more door
I don't wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don't walk away from me, no.
Don't walk away from me
Don't you dare walk away from me
I have nothing, nothing, nothing
If I don't have you, you,
If I don't have you, oh, ooh, ooh.

Wednesday, January 29, 2014

The Brain on Music (The Mozart Effect)


Have you ever used music at work to jack up productivity or change your mood? Interestingly some rhythms. such as baroque, induce enzymes in the brain and add amazing well being and focus.  Other tunes leave you punchy … and unable to focus. Has it happened to you? 

Music holds an immensely powerful influence over the brain and yet few workplaces  benefit from addictive musical sounds. Listen to inspirational music and calm your thinking to see how it works. Or ratchet up brainpower with Makeba’s, Pata Pata. Then read on to discover what research could offer your day.

Across genres, you’ll find that music puts you in touch with your inner beliefs and desires and the cadence can create an amazing mental landscape for you to read, relax or reflect on your day.

Or it can make you moody, edgy and anxious. How so? Music shifts your brain waves that control how neurons talk to one another. Watch the visible shift happen for people in this video.

Start with your favorite tunes from Psychologist Don Campbell’s list here and tell us how music alters your mental states. In his book The Mozart Effect, Campbell shows the following results for listeners:



Gregorian chant creates quiet in our minds and can reduce stress.

Slower Baroque music, such as Bach, Handel, Vivaldi or Corelli, can create mentally stimulating environments for creativity and new innovations.

Classical music, such as Haydn and Mozart, often improves concentration and memory when played in the background.

Romantic music, such as Schubert, Schumann, Tchaikovsky , Chopin and Liszt, enhances our senses and increases a sense of sympathy and love.

Impressionist music, such as Debussy, Faure and Ravel, can unlock dreamlike images that put us in touch with our unconscious thoughts and belief systems.

Jazz, blues, soul or calypso music can uplift and inspire us, releasing deep joy or even deep sadness, conveying wit and affirming our common humanity.

Salsa, rhumba, merengue and any form of South American music sets our hearts racing, gets us moving, both relaxing us and awakening us at the same time.

Big band, Top 40 and country music engage our emotions and comfort us.

Rock music, from Elvis Presley to the Rolling Stones, stirs passion and activity, and so can release daily tensions. Rock can also mask pain and cover up unpleasant noises. It also has the power to create dissonance, stress or physical pain if we are not in the mood for energizing.

Ambient or New Age music such as Stephen Halpern and Brian Eno has no dominant rhythm, so it elongates the sense of space and time, inducing a state of relaxed alertness.

Heavy metal and hip-hop music excites our nervous system, and sometimes leads us into acting out dynamic behavior and self-expression.

Religious and sacred music such as hymns and gospel moves us to feel grounded in the moment, and leads to deep peace and spiritual awareness. Sacred music often helps us to transcend pain.

Consider what tomorrow could bring at work if you swing a bar or two of mental and musical acumen into a project today. It’s also fun to match the music with the moment and watch what you learn


Friday, January 24, 2014

Classical Music (AllMUSIC)



Classical music is hard to define in specific terms, but it is generally understood to be music rooted in Western European traditions performed by trained musicians in formal settings like concert halls, opera houses, and churches. Its key emphasis is the faithful interpretation of composers' written scores. Classical music's roots lie in the chant melodies of Medieval religious rites. Its contemporary incarnation encompasses everything from opera and the symphony orchestra to chamber ensembles, solo works, choral music, songs, film music, and the avant-garde. Works from the intervening centuries make up the bulk of the recorded repertory, and they mirror the artistic and architectural trends of the Renaissance, Baroque, Classical, Romantic, and Modern eras in their sound worlds and conception. The dichotomy between classical and popular music is a fairly recent cultural development. In fact, much of what is considered classical music today grew out of, was influenced by, or was popular music of its time.

Tuesday, January 21, 2014

Rock of Ages: Taste in music DOES change over a lifetime - and even punk-loving teens will listen to classical music in middle age

  • British scientists found tastes shift in line with 'key life challenges' 
  • Teenagers like 'intense' music, while those in early adulthood opt for 'contemporary' and 'mellow' choices as they search for close relationships
  • The study by the University of Cambridge, used data from more than a quarter of a million people over a 10 year period
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the first great musical age is adolescence
The study found that, unsurprisingly, the first great musical age is adolescence, which is defined by a short, sharp burst of 'intense' music

Plenty of teenagers might claim they will love One Direction forever or will never want to borrow a classical CD from their parents, but British scientists have found certain music genres are associated with five key stages in a human life.

Music stays important to people as they age but what they listen to is chosen to suit particular 'life challenges' they face and meet social and psychological needs, the researchers said.

They confirmed what may people have thought for a while - teenagers have little taste in music and what we listen to gets more boring as we grow older.

Researchers at Cambridge University have identified five broad categories of musical taste during a person's life.

They believe humans use music to experiment with identity and define themselves and then as a social vehicle to establish a group and find a mate, before using it to express their intellect, status and greater emotional understanding.

The study suggests that unless people take the Who's advice and die before they get old, their taste in music will probably change to meet their social and psychological needs.

Researchers said the study, published in the journal of Personality and Social Psychology, is the first to 'comprehensively document' the ways people engage with music 'from adolescence to middle age'.

Using data gathered from more than a quarter of a million people over a ten year period, researchers divided musical genres into five broad categories they call the MUSIC model - mellow, unpretentious, sophisticated, intense, contemporary - and plotted the patterns of preference across age-groups. 
 
¿Intense¿ music, such as punk and metal peaks in adolescence and declines in early adulthood

'Intense' music, such as punk and metal peaks in adolescence and declines in early adulthood, while 'contemporary' music such as pop begins a rise that plateaus until early middle age. Dr Rentfrow said teenage years are often dominated by the need to establish identity and music is a cheap way to do this

THE FIVE STAGES

  • The first is the 'intense' period when punk or metal dominates adolescence as teens explore their own identity.
  • After that listeners gravitate towards 'contemporary' electronic and R&B music which reflects the autonomy of early adulthood.
  • That phase of 'romantic, emotionally positive and danceable' music gives way to a 'Mellow' period as listeners search for love and start families.
  • Following that is the 'sophisticated' age of jazz and classical pieces.
  • And finally as we mature and lose the need for peer approval we become more inclined to 'unpretentious' music such as country and folk.
These five categories incorporate multiple genres that share common musical and psychological traits - such as loudness and complexity.  
 
The study found that, unsurprisingly, the first great musical age is adolescence, which is defined by a short, sharp burst of ‘intense’ and the start of a steady climb of ‘contemporary’. 

‘Intense’ music, such as punk and metal peaks in adolescence and declines in early adulthood, while ‘contemporary’ music such as pop and rap begins a rise that plateaus until early middle age.  
 
Dr Jason Rentfrow, senior researcher on the study, said: 'Teenage years are often dominated by the need to establish identity, and music is a cheap, effective way to do this.' 

‘"Intense’ music, seen as aggressive, tense and characterised by loud, distorted sounds has the rebellious connotations that allow adolescents to stake a claim for the autonomy that is one of this period’s key life challenges.'

As 'intense' gives way to the rising tide of 'contemporary'
As 'intense' gives way to the rising tide of 'contemporary' and 'mellow', like R&B, in early adulthood, the next musical age emerges. Dr Rentfrow said 'these forms of music reinforce the desire for intimacy and complement settings where people come together with the goal of establishing close relationships'

As ‘intense’ gives way to the rising tide of ‘contemporary’ and introduction of ‘mellow’, such as electronic and R&B, in early adulthood, the next musical age emerges. 

These two 'preference dimensions' are considered 'romantic, emotionally positive and danceable,' the researchers wrote.    
 
Dr Rentfrow said: 'Once people overcome the need for autonomy, the next life challenge concerns finding love and being loved – people who appreciate this "you" that has emerged.'
 
'What we took away from the results is that these forms of music reinforce the desire for intimacy and complement settings where people come together with the goal of establishing close relationships – parties, bars, clubs and so on. 
 
'Whereas the first musical age is about asserting independence, the next appears to be more about gaining acceptance from others.'
 
As people settle down and middle age begins to creep in, the last musical age, as identified by the researchers, is dominated by ‘sophisticated’ music, such as jazz and classical and ‘unpretentious’ tunes, such as country, folk and blues.
 
the last musical age, as identified by the researchers, is dominated by 'sophisticated' music
As people settle down and middle age begins to creep in, the last musical age, as identified by the researchers, is dominated by 'sophisticated' music, such as jazz and classical and 'unpretentious' tunes, such as country, folk and blues

The researchers said both these dimensions are seen as 'positive and relaxing' with ‘sophisticated’ music indicating the complex aesthetic of high culture that could be linked to social status and perceived intellect, while ‘unpretentious’ echoes sentiments of family, love and loss – emotionally direct music that speaks to the experiences most will have had by this life stage.
 
Dr Rentfrow said: 'As we settle into ourselves and acquire more resources to express ourselves – career, home, family, car – music remains an extension of this and at this stage there are aspects of wanting to promote social status, intellect and wealth that play into the increased gravitation towards ‘sophisticated’ music, as social standing is seen as a key life challenge to be achieved by this point.
 
'At the same time, for many this life stage is frequently exhausted by work and family, and there is a requirement for relaxing, emotive music for those rare down times that reflects the other major life challenge of this stage - that of nurturing a family and maintaining long-term relationships - perhaps the hardest of all.'
 
Arielle Bonneville-Roussy from Cambridge’s Department of Psychology, who led the study, said: 'Due to our very large sample size, gathered from online forms and social media channels, we were able to find very robust age trends in musical taste. 

'I find it fascinating to see how seemingly trivial behaviour such as music listening relates to so many psychological aspects, such as personality and age.'
 
there is a requirement for relaxing, emotive music for down times
The study found that for many middle-aged people, frequently exhausted by work and family, there is a requirement for relaxing, emotive music for down times that reflect the other major life challenge of this stage - that of nurturing a family and maintaining long-term relationships

Monday, July 16, 2012

Colbie Caillat - I Do


"I Do"

It's always been about me, myself, and I
I thought relationships were nothing but a waste of time
I never wanted to be anybody's other half
I was happy saying I had a love that wouldn't last
That was the only way I knew 'til I met you

You make me wanna say
I do, I do, I do, do do do do do do doo
Yeah, I do, I do, I do, do do do do do do doo
Cause every time before it's been like
Maybe yes and maybe no
I can't live without it, I can't let it go
Ooh what did I get myself into?
You make me wanna say I do, I do, I do, I do, I do, I do,

Tell me is it only me
Do you feel the same?
You know me well enough to know that I'm not playing games
I promise I won't turn around and I won't let you down
You can trust I've never felt it like I feel it now
Baby there's nothing, there's nothing we can't get through
So can we say
I do, I do, I do, do do do do do do doo
Oh baby, I do, I do, I do, do do do do do do doo
Cause every time before it's been like
Maybe yes and maybe no
I won't live without it, I won't let it go
What more can I get myself into?
You make me wanna say

Me, a family, a house, a family
Ooh, can we be a family?
And when I'm eighty years old I'm sitting next to you

And we'll remember when we said
I do, I do, I do, do do do do do do do
Oh baby, I do, I do, I do, do do do do do do do
Cause every time before it's been like
Maybe yes and maybe no
I won't live without it, I won't let us go
Just look at what we got ourselves into
You make me wanna say I do, I do, I do, I do, I do, I do,
Love you

Sunday, July 1, 2012

Justin Bieber - Boyfriend


"Boyfriend"

 
[Verse 1]
If I was your boyfriend, I’d never let you go
I can take you places you ain't never been before
Baby, take a chance or you’ll never ever know
I got money in my hands that I’d really like to blow
Swag, swag, swag, on you
Chillin' by the fire while we eatin’ fondue
I don't know about me but I know about you
So say hello to falsetto in three, two, swag

[Pre-Chorus]
I’d like to be everything you want
Hey girl, let me talk to you

[Chorus]
If I was your boyfriend, never let you go
Keep you on my arm girl, you’d never be alone
I can be a gentleman, anything you want
If I was your boyfriend, I’d never let you go, I’d never let you go

[Verse 2]
Tell me what you like yeah tell me what you don’t
I could be your Buzz Lightyear, fly across the globe
I don’t ever wanna fight yeah, you already know
Imma make you shine bright like you’re laying in the snow
Burr
Girlfriend, girlfriend, you could be my girlfriend
You could be my girlfriend until the w-w-world ends
Make you dance do a spin and a twirl and
Voice goin crazy on this hook like a whirlwind
Swaggie

[Pre-Chorus]
I’d like to be everything you want
Hey girl, let me talk to you

[Chorus]
If I was your boyfriend, never let you go
Keep you on my arm girl, you’d never be alone
I can be a gentleman, anything you want
If I was your boyfriend, I’d never let you go, I’d never let you go

[Bridge]
So give me a chance, ‘cause you’re all I need girl
Spend a week with your boy I’ll be calling you my girlfriend
If I was your man (If I was your man), I’d never leave you girl
I just want to love and treat you right

[Chorus]
If I was your boyfriend (boyfriend), never let you go
Keep you on my arm girl, you’d never be alone (never be alone)
I can be a gentleman (gentleman), anything you want
If I was your boyfriend (boyfriend), I’d never let you go, never let you go

Na na na, na na na, na na na
Yeah girl
Na na na, na na na, na na na ey
If I was your boyfriend
Na na na, na na na, na na na ey
Na na na, na na na, na na na ey
If I was your boyfriend

Colbie Caillat - What If


"What If"

What if we were made for each other
Born to become best friends and lovers
I want to stay right here
In this moment with you
Over and over and over again

What if this could be a real love
A love, a love, yeah
I don't know what to think
Is this real or just a dream
In my heart is where you'll be
I'll keep waiting till we meet

What if were made for each other
Born to become best friends and lovers
I want to stay right here
In this moment with you
Over and over and over again

What if this could be a real love
A love, a love, yeah
I write our names down in the sand

Picturing all our plans
I close my eyes and I can see
You, and you ask, "Will you marry me?"

Is it made up in my mind?
Am I crazy just wasting time?
I think this could be love
I'm serious

What if we were made for each other
Born to become best friends and lovers
I want to stay right here
In this moment with you
Over and over and over again

What if this could be a real love
A love, a love, yeah
Boy, you know you really make my heart stop
Stop, stop
Oh, what if this real love
What if this real love
Oh, boy, you make my heart stop
You make my heart stop.
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